Repost: Who to Blame for Evil Deeds?

“It’s them! It’s the boss, the American government, the religious fundamentalists, the atheists, the…” Whatever bad thing happened, it is ‘their’ fault, whoever they are. But perhaps it isn’t so simple, nor so easy to squeeze out of responsibility. This is an article originally posted March 28, 2014, that addresses this.

“If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?” –Aleksandr Solzhenitsyn.

I first heard this quote, from The Gulag Archipelago, paraphrased by Dr. Andy Bannister in a lecture titled “Does Religion Poison Everything?” (borrowing from Christopher Hitchen’s line, “Religion poisons everything”). Bannister said that ‘religion,’ in the quote, could just as well be replaced by ‘money,’ since money causes crime, poverty and resentment. Or ‘politics’, since politics causes bloodshed, strife and war. He said that whatever humans ‘lay ahold of,’ they poison–sort of a reverse Midas touch. That applies to politics, money, government, science–and religion.

But all of those things can–and are–used for good as well. The dividing line runs through our hearts.

I recently repeated Solzhenitsyn’s words to someone who was bemoaning the prevelence of technology–smartphones in particular. I think she was thinking of the ubiquitous iPhone, and the ‘smartphone slouch’ that goes with it, and how people use their phones as an excuse to not talk to each other. It’s a valid complaint, if misdirected. My iPhone (on which I am writing this blog post) is the single most powerful business tool I own, but it is one of my greatest time-wasters, and a gateway to all kinds of destruction. It all depends how I use it.

Another example. I grew up around guns. My family is a hunting, fishing and trapping family. All my life, I’ve been comfortable with guns because I’ve seen them since I was little, was taught how to shoot and how to handle guns safely. My Dad and his gun were what put meat on our table, and they continue to do so. But other people have used guns to kill and cause all manner of human suffering. It depends on the use. The line of good and evil runs through each of our hearts.

We would like to say that it is religion, or politics, or money, or sex, or guns, or just ‘those people’ that wreak havoc in our lives and in this world. If we could only eliminate the gun, the smartphone, the religion, the poison would go as well.

If only it were that easy. Solzhenitsyn, who as a survivor of the Soviet Gulag knew true evil, realized that the horrors he had known could not be eradicated by destroying a certain group of people because evil was in every heart.

The poison isn’t the object, the poison isn’t ‘those people’. The poison is in us, and everywhere we go, there we are.

Malcolm Muggeridge said: “The depravity of man is at once the most empirically verifiable reality but at the same time the most intellectually resisted fact.”

But perhaps it is easier to blame it on the smartphone, or the religion.

The Misunderstood Power of Christian Art, Part 1

What makes art ‘Christian’?

I’ve talked about my disgust for the movie God’s Not Dead, and how I discarded Christian music.  After I released We are the Living, I had a couple of good conversations with people simply because it wasn’t a “Christian book”, or at least, I wasn’t sure their junior high kids should read it.

I feel the concept of Christian art has been misunderstood, and, as it is a subject I am passionate about, I thought it was time to discuss my philosophy of faith and art with you over the course of the next few posts.

In the field of imparting ideas, the piano and paintbrush are more powerful than the pulpit.  Not to put down preaching.  It is wonderful.  But art has power to cross boundaries that sermons cannot, and that is why it is important that we as Christians understand it.  A preface: while informed by Scripture and Christian artists and thinkers, this is my humble opinion.  No doubt it will evolve as I do.

Can Christian Art be Defined?

Art is loosely defined in the New Oxford American Dictionary as:

  • The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.
  • Works produced by human creative skill and imagination.
  • Creative activity resulting in the production of paintings, drawings, or sculpture.

No explicit mention of film, literature or music is mentioned, but I expect there is little doubt that these are part of the arts.

But what is Christian art?  This is much more slippery–like a wet football, in fact.  Here is the definition I’m going to work with: Christian art is that which is produced by a Christian, in obedience to, and to the glory of God.

But what glorifies God?  That is where things become more difficult.

What is the Call of the Christian Artist?

Madeleine L’Engle said, “The artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child.  I believe that each work of art, whether it is a work of great genius, or something very small, comes to the artist and says, ‘Here I am.  Enflesh me.'”  If God calls his child to art, the art becomes his or her duty.

But the manifestation of that art is their unique calling.  Some will be called to hip-hop, like my friend Malcolm.  Others will write speculative fiction, like me.  And some will write Amish romances (which I neither understand nor enjoy, but others love), some will do acrylic paintings, and some will dance.  Some will write to a strictly Christian audience, and some will write to a mainstream audience.  Each field needs Christians who are obedient to the works God has prepared in advance for them (Ephesians 2:10).

Art is the work of the artist, and as Dorothy Sayers said, “Work is not, primarily, a thing one does to live, but the thing one lives to do. It is, or it should be, the full expression of the worker’s faculties, the thing in which he finds spiritual, mental and bodily satisfaction, and the medium in which he offers himself to God.”

My Philosophy of Christian Art

I believe Christian artist must be these three things:

  • Excellent.  The Christian must perform or create their art to the best of their ability.  Where they lack, they must practise, research, and submit to mentorship by more accomplished artists.  There is no half-heartedness here.  There is no ‘I won’t memorize my lines for the church play’.  There is no ‘I’m not getting paid’.  It is your best, or nothing.
  • Courageous.  When you are inspired to a work, the decision to do or not to do must be based on conviction and wisdom, not fear or selfish ambition.  I believe this applies, especially, to censorship.  Censorship is sometimes necessary, but it should not be because you are afraid to not conform, or because you want people to like you.  Rather, it is because you think you’ve transgressed beyond God’s laws, or good sense.  The truth is NOT always sweet to the ears.  Just because it is scary does not mean it is wrong.
  • Truthful.  Christian art cannot fall victim to denial, self-indulgent fantasy, or a lack of integrity.  This is not to say that it cannot be ‘fictional’.  I’ve often said that just because it’s fiction doesn’t mean it’s not true.  Simply, Christian art must not engage in deceit, nor try to make the receiver believe an untruth.

The Opportunity

The Apostle Paul said in Ephesians 5:1, “Walk as children of light (for the fruit of light is found in all that is good and right and true), and try to discern what is pleasing to the Lord.  Take no part in the unfruitful works of darkness, but instead expose them” (ESV).  What an excellent description of our mandate as artists!

When we are obedient to the work, we produce what is good, right and true, and we expose darkness. This takes courage, for sometimes the darkness we expose resides within us, and we wrestle with our selfish desires as we create.  But out of this courage comes work that can probe where no scholarly literature or sermon can go.  That is the nature of art–to bypass the well-guarded gates of the mind, and go straight to the soul.

Which means that art can be very dangerous as well.

In the next post I will discuss why I departed from the genre of Christian fiction, and where Christian art may go awry.

Suggested Reading:

Dorothy Sayers, Why Work?  Read this excellent essay on the sacredness of work here.

Madeleine L’Engle, Walking on Water.  A rambling but inspiring account of her philosophy of Christian art.  I really enjoyed her perspective.